Upcycle Green T-shirt to Dress

Upcycle ZZZ green dress new denim hem piece 2 - 001 - annotated - scaled1000
Finished joining of denim extended hem to green T-shirt

Large T-shirts make good short dresses for shorter people.  Hem uses two sleeves from an old denim blouse.  Thick warm cotton T-shirt from charity shop.

Upcycle B green dress, cut off denim blouse sleeves for hem addition - 001 - annotated, scale 1000
Cut off sleeves of old blouse or dress
Upcycle C green dress from T-shirt, needs lengthening - 001 - annotated scaled
Large T-shirt for dress
Upcycle E green dress, sleeves cut from denim blouse - 001 - annotated - scaled 650
Sleeves cut from denim blouse

Press sleeves flat, lay over each other and cut into long rectangles of equal length.

Upcycle G green dress, 4 piece hem addition, joined, sloping sides - 001 - annotated - scaled650
Sleeves cut to rectangles, joined with 4 seams.

Join seems to make false hem extension.  Make angles at the sides.

Upcycle H green dress, hem wider than T-shirt hem - 001- annotated scaled750
Extended hem ready to join to T-shirt

 

Upcycle I green dress, hem pieces joined, place centre to centre - 001 - annotated - scaled800
Extended hem ready to fit to dress, slightly gathered.

Turn one long side over twice, 1/4inch to make hem; steam press flat, machine stitch.

Upcycle J green dress position hem equally in quarters - 001 - annotated - scaled800
Pin extended hem to T-shirt behind T-shirt hem.

The extended hem needs to be a little larger than the t-shirt hem, to give an A-line flare.  In this case the hem width was decided by the length of the sleeves used from the blouse.

Upcycle K green dress inside pinned quarter of hem addition - 001 - annotated scaled800
Pin fabric into equal folds spread along hem section.

Work in quarter hem sections at a time, between front – sides, sides to back.

Upcycle L green dress machining hem extension over pins - 001 - scale 1000
Machining over pins, joining extended hem to T-shirt hem.

Stitch position leaves the last bit of T-shirt hem loose, for better visual effect.

Upcycle KA green dress hem machined and part pinned - 001 - annotated - scaled800
Part machined together; other side pinned, ready for machining.

If not sure how to machine over pins; (it can break your needles) then tack sides together first, before machining.

Upcycle M green dress inside hem machined, pressed - 001 - annotated scaled800
Press hem extension after machining
Upcycle N green dress pressed hem addition - 001 - annotated - scaled800
Finished machined hem.
Upcycle Z green dess hem addition side view mirror- 001 - annotated - scaled
Finished T-shirt dress, side view.

Dress is solely for home wear and not for sale.

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Recycle Shopping Centre

Swedish Recycle Shopping Centre  – the world’s first.

Recycle shopping mall

Rude Record has found this great news!

Recycling Shopping Mall provides a NEW ENTICING INTERFACE: better than dump-off-your-stuff at the city tip – have it recycled properly.   As the original writer describes – city dumps with a circle road to piles of stuff – aren’t easily in a position to encourage recycling. Furniture and clothes are the obvious ones.  Even half empty tins of paint are useful for something. 
Unfortunately there are still folks who will only buy ‘new’ and a place like this one in Sweden could make recycling the ‘norm’, rather than something to be frowned upon. It is the WAY FORWARD to the CIRCULAR ECONOMY.

Rude Record’s local Melborne council are creating more landfill !!!!   Oh dear. 😨

There is very little that cannot be recycled!   Even broken furniture could be wood chips for garden earth cover and paths. ALL plastic should be recycled.

#recycle #recyclefurniture #recyclewood #recycleplastic #recycletextiles

Butterflies and Black Lace Patchwork Dress, ‘Love Never Dies’ on Stretch T-shirt Bandeau

‘Love Never Dies’ inspiration taken from autumn floral printed T-shirt patch, used in dress centre front.

Bandeau top inspiration: cut from ethnic printed skinny stretch dress.

Dress is not yet in online shop…

Dress USE - FRONT daylight - edited.png

Patches made and joined in strips of three, then join those to make a length as shown in picture on floor.

Patchwork section attached to stretchy cotton bandeau top, by hand stretch back stitch shown in MAKING INSTRUCTIONS below.

Seams are overlapped one quarter inch – one half inch, and zig-zag machined to avoid bulky inside seams.  6 different patchwork fabrics are used making up a large rectangle of 11 patches x 3 patches.  Keep adding strips (here strips are 3 patches long).  Make strips until there are enough to join up around hips: add 2 extra patch widths to create fullness when attached to bandeau top.

NOTE:  black lace patches are made by fixing over lighter fabric base.  There are possibilities of using different backgrounds for lace, for more subtle effects.

Bandeau patchworks, machined.png

When choosing fabrics, 6 seems to be a good number of alternative fabrics.  They can be either contrasting, as here, or similar in tone.  Dark – Medium- Light is a good mix.

Muted schemes are more satisfactory and versatile than multi-rainbow colour themes.  The size of fabric areas cut from garments, dictates the size of the patches.  In this instance it was the ‘Love Never Dies’ T-shirt print I started from, giving me two patch lengths when cutting.

Bandeau patwork arrangements.png

I was originally going to position the patchworks in diagonal formation over a bias cut lining, but they weren’t cut square so it would look odd.  I therefore turned it to straightforward vertical arrangement.  Recycling 6 different garments, and cutting at least 8 patches from each, is a good start.  I cut more if I like a scheme and want to make another similar.

These patches are 12.5cm x 18cm cut (approximately 7″ x 5″).  Decide the length of garment skirt section needed, from seam under bandeau top, then divide by three for length of patchwork strips: to be either 3, 4, or 5 patches deep. 3 is enough for this short dress.

Dress USE - BACK CLOSEUP - edited.png

Close up of back, shows butterfly prints, and zig-zag seaming flat overlaps.

MAKING INSTRUCTIONS

Bandeau patchworks mcahined zigzag.png

Zig-zag machining of patches: overlap quarter inch,
making two rows at each overlap (note it is flat,
no folded seams).

Bandeau, pinning bandeau lower front to pathworks.png

Pinning patchwork length equally along bandeau bottom

on the inside.

bandeau-patchworks-pinned-evenly-to-bandeau

The patchwork top folded over and pinned in place, 

ready for stitching by hand.

Bandeau, front pinned, back not.png

How the pinning looks after pinning one section to sew.
More to follow.....

Hand sewing Patches to bandeau A stretch stitch completed two rows.png

Hand stitched back stitch which gives full stretch result.
Photo of stitch process omitted but IS SHOWN BELOW when
attaching lining to this seam join. (Note: I could have
machine-tacked lining to patches first, then stretch
stitched them both together, but I needed to experiment)

Hand sewing Patches to bandeau B stretch stitch outside.png

Outer view shows small hand stitches (stretch back stitch)
showing through.  Quite acceptable appearance;
could even be larger, as a feature.

hand-sewing-lining-c-stretch-stitch-lining-to-dress

Stretch back stitch: holding work this way, each needle
insertion is towards you, hand underneath can test for
flexibility of stretch, to ensure same stretch as patches
fabric.

hand-sewing-lining-a-stretch-stitch-from-left-to-right

Working left to right, back-stitching into patchwork
section above, and lining section below.  This lining
(taken from a dress), is on the 'bias' which aids
stretchiness. It would need to be same width as 
patchwork section sewn to, to give equal stretch.

Hand sewing Lining B stretch stitch lining to dress.png

Needle comes back to lining back stitch from upper
stitch. Needle goes in right to left, but stitches
complete to the right.

bandeau-hand-sewn-stretch-stitch-inside-bandeauside

Finished stretch stitch: inside of dress, just below
where dress patchwork attaches (also stretch stitch)
to bandeau.

lace-trim-turn-over-pinning-easing-in-fullness

Join strips of lace for hem trim.  I used a neck
frill and sleeve edges from a lace dress (4 cut
lengths). Press quarter inch in then pin to dress hem.

lace-trim-zig-zag-machining-turned-in-pinned-to-hem

Machining lace edgings to dress hem.  Zig-zag.

 

bandeau-inside-dress-after-zigzag-machining-over-topside-frill-edges-folded-in

Finished lace trim attached (inside view).
NOTE: dress fabric was turned under and pressed
towards front beforehand.

bandeau-lace-trim-machined-to-edge-of-patchwork

Finished lace trim showing front and inside back.

love-never-dies-5-fabric-border-added-to-lining

Fabric hem sewn to inside lining:
to sit behind black lace.

love-never-dies-6-bandeau-top-elastic-inserted

Top of bandeau is folded over and narrow elastic
inserted.  Stretchiness is preserved by using
stretch backstitch instead of machining.

A lot of scrolling for instructions!!

Future work will explore Slideshare and Flipboard embeds.

Design Philosophy

Shamanic Nights  makes a personal commitment to recycling textiles and fast fashion.  ‘Up-cycled couture’ better describes my craft business, as each garment is very carefully hand made from cut up recycled clothes found in Devon Charity Shops.  Some have hand painted silk designs by  Amelia Jane Designs   These unique colourful one-off garments are available to buy online.  Online Shop

Source: Design Philosophy

Plum Velvet skirts with wool cummerbund

Inspiration started with the velvet.  Then envisaged with the wool cummerbund due to the lilac/beige colour harmony.  Floral voile insets also chosen for colour harmony.  An experimentation challenge with ‘V’ shaped cummerbund (lined) and cutting skirt sections to hang from the diagonal.

Skirt No. 1 has 4 inserts (great for dancing); skirt No. 2 has just 2, front and back.  Skirt No. 1 has butterfly print hem frill, skirt No. 2 has cream lining frill.

plum-velvet-1-front-view-edited
Plum velvet skirt front
plum-velvet-1-side-floral-inset-panel-from-back-view-edited
Plum velvet skirt side inset
plum-velvet-1-front-floral-inset-edited
Plum velvet skirt back inset

Plum velvet skirt 2 side zip lace - edited .JPGPlum velvet skirt No. 2 side insertion of invisible zip.

 

Making procedure:

The velvet was cut to allow for 8 pieces, 4 in each skirt,
(2 back, 2 front).  Velvet piece positioned to cummerbund
on dummy, gathered, using straight edge, allow to hang,
then cut straight hem at base.  Remove and cut 3 more for
first skirt.
Once they were all cut, I placed the second group of
4 velvet pieces the other way up, i.e. placing the bias
along the cummerbund edge, allowing the straight edge to
become the hem. (It was necessary to use straight edge to
begin with to allow natural fall before cutting
fabric at hem).
n-pinning-velvet-to-cummerbund-roughly
Below are two pieces after cutting shapes (from hanging
on dummy), laid out with triangle gap, to cut inserts out.
cutting-triangle-fabric-for-inset-larger-than-spacejpg
Cutting triangle insert for velvet front backs.
pin-lace-to-triange-inset-after-stretch-zigzagging-the-showing-edge-jpg
Triangle inset: lace detail (strip cut from blouse)
is stretched with zig-zag stitching to make flared
edge then machined to inset side. Then join inset to
main skirt part:either zig-zag on top of right side,
or make seam with right sides together
then press flat well.

machine-inset-right-sides-together-on-to-velvetMachining right sides together,
joining inset to velvet

c-cummerbund-front-and-back-make-darts

Cummerbund front and back - cut and darted.
Measure your waist or dropped waist above hip,
at position required: (e.g. 26") then allow
1.5 inches extra for waist darts on each piece,
(which allows for dart take-up).  Machine, press.
e-machine-lining-to-wool-cummerbund-leave-sides-open-for-seaming
Lining also cut on bias and darted.
Iron-on interfacing won't need darts
if just 2 inches deep.
Lay on and cut curved shapes.
Machine half inch at waist. Clip waist.
g-press-lining-and-wool-at-seam-linePress lining inwards leaving seam space for
closed side and zipped side.  Finnish waist
machine line into fold/seam edge point of
lining fold.
F. Snip waiste seams for ease, before turning to press.JPG

Snip inside waist top seams including
stiffening.
k-stitch-side-seams-both-sidesMachine both side seams along wool seam and
lining seam all in one go. Press seam flat,
(snip waist seams as above), then fold lining
inwards and steam-press flat.
m-one-side-joined-pressed-one-open-for-zip
Cummerbund lining pressed inside. One side
left open for zip when skirt
section is attached.

front-sections-cut-to-allow-gathers-inset-joined-to-velvetVelvet and insets skirt section all joined:
ready to pin and tack to cummerbund,
tacking before machining.

front-and-back-insets-seamed-in-between-velvetAll skirt sections joined.  Top of lace
strips are folded in and excess cut off,
then machined down while 
top-stitching with zig-zag, around inserts
to avoid bulky seams.

p-pinned-to-cummerbund-equalizing-fullness-between-pins-before-joiningHand gather between pins, after positioning
velvet to cummerbund, right sides together.
Machine along gather line,
removing pins as you go.

machining-hem-zig-zag-prior-to-adding-frill-behindZig-zagging hem, pulling slightly,
to create slight flare.

cream-frill-top-edge-pressed-then-pinned-to-underside-of-skirt-velvetAttaching frill behind skirt
(underside view): Join strips of satin,
silk, or polyester lining fabric
(best cut on bias) twice length needed.
Press over top edge quarter inch, pin to
inside of skirt, half inch above hem.
Zig-zag machine frill to skirt,
removing pins as you go.
Zig-zag frill hem from front.