Cherry Fluzzies A & B

Two similar patchwork dresses inspired by using two halves of a bright cerise pink acrylic wool scarf with stretchy structure for bust fit.  Purple silk, taffeta, and lace combine with a legging print to create an exciting party colour combination.

Cherry Fluzzie B

Shorter version with black wooden buttons, thin straps and an additional patchwork hem frill in purple silk and multi-toned silk patchwork and frill.  Making details below.

Cherry B, RIGHT side view, with hem frill, indoors, right side view.png

Pink-purple silk, purple-black printed taffeta and rose print on black leggings are the fabric inspirations to go with the frivolous wool tops.         Available in shop
Dylan - Wooly top buttons closeup Cherry B.png

Ends of cerise pink scarf (cut in two for 2 dresses):
edges are folded over twice and sewn down by hand with
with pink thread or pink wool.  Black wooden engraved
Chinese buttons utilize holes already in the acrylic wool.
It is necessary to stretch the destined 'hole' and use
a few stitches to secure 'open' top and bottom, so it
identifies easily as the buttonhole.

Cherry Fluzzie A

Longer version with toning cerise pink buttons and wider shoulder straps.

Woolly top and buttons Cherry A - edited.png

cherry-a-front-view-best-indoors-front-view-blurred-editd-annotated

Pink-purple silk, purple/black printed taffeta, and rose print on black

leggings are the fabric inspirations to go with the frivolous wool tops.

cherry-fuzzie-a-fabric-patches-floral-close-up-edited-annotated         Zig-zag machining holds down inside seams.
Available in Shop

Cherry Fluzzie B    Making Garment:

 patchwork-semi-circle-joined-front-unjoined
 Patch pieces joined into a semi circle. Outer sides will
 will become front. Different length patches were used
 due to material shortage.
Patchworks machined 1.png
By cutting patch shapes into A shapes, with straight top
and bottom edges, they build up into a semi circle.

 Patchworks machined back full joined.png
 Patchwork semi-circle folded in two, back view.
 When top curve becomes the waistline, gathered in,
 good folds hang in skirt.  Make 'A' shaped patches
 until required size is reached. This section is wider
 than needed to gather onto woollen top.

 cherry-b-pinned-frill-2
 Bottom frill pinned to dress hem, before zig-zagging on.
 Frill hem will also be zig-zagged.

 Cherry B, pinned, tacked frill.png
 Frill hem pinned, tack gathered, prior to zig-zagging.

Making garment:  Cherry Fluzzie A

patches-cut-from-leggins-edited-rotated-annotated

Leggings cut into 8 patches, use 4 or 8 per dress.
(2 short upper, 2 longer lower in skirt section).
Thigh shapes, turned upside down make good patches to
use as templates which when added to create a flared
shape.
Patchwork pinned prior to sewing - accurate daylight colour.png
Front side patchworks pinned to check colour placements.
Silk fabric behind crimson lace patches.

patchwork-machined-central-horizontal-joins
Inside seams:  Join short patches to long patches
forming strips. Press seams up or down alternately
to reduce bulk at seam crossroads. Pin vertical patch 
strips.  Machine, and likewise press alternate sides
to avoid bulk on all corners.
 patchwork-1st-machining-right-side-edited-annotated
 Patchworks machined - skirt section.

 hand-stretch-cross-back-stitching-skirt-patchwork-to-woolly-top-annotated
Joining patchwork skirt to stretch wool top using large
hand stitches: cross-stitch done as back-stitch.
See 'Love Never Dies' patchwork dress for more
accurate close up instructions of stretch stitch.
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